Thomas Ad?s/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson Ringtones
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: Interlude (Orchestra)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 2: Nineteen thirty-four: I could never grow bored of dukedoms
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 2: Nineteen thirty-four: I hear him coming (Pantomime) (Duche
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 2: Nineteen thirty-four: Interlude (Orchestra)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 2: Nineteen thirty-four: Of course she's done well
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: ...mm..ah!...Room service?
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: Come here (Duchess/Waiter)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: Interlude (Orchestra)
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-th
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 3: Nineteen thirty-six: What have you got there?
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 5: Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?
- Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I: Overture (Orchestra)
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Ghost Epilogue: Enough...Or too much! (Maid/Electrician)
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (J
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: Did she?...Of course she did (Rubbern
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubbern
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: Interlude (Orchestra)
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: Order. Silence
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 7: Nineteen seventy: Ah! None left (Duchess/Society Journalis
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clea
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 7: Nineteen seventy: Interlude Fifty-eight, seventy-nine (D
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manage
- Powder Her Face (an Opera in two acts) Op.14 (1995), Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess)
